273 - NATIONAL TREASURE: BOOK OF SECRETS

Cage March ends with a second dose of Benjamin Franklin Gates, this time we’re dealing with Dame Helen Mirren having to fall back in love with Jon Voight, just why is Ty Burrell here, and what’s the deal with the upcoming series, is it going to be Gates-based? We’re done, at least, with treasure protecting for the moment.

269 - ADAM

It’s a late night recording for Andrew and Johnny, as they take a look at perfect goddess Rose Byrne’s career, and discuss Hugh Dancy’s Will Graham performance. There’s tangents aplenty in reminiscing about 2000s twinkly indie music, space room decorations and Peter Gallagher’s eyebrows (OH MAN).

266 - TITAN A.E.

Well, look, we’re embarrassed. We were certain that covering Roar instead of Raw was a one-off, and we were gonna watch the Palme D’or winning Titane this week, but… Disney+ didn’t have it, I was misled, and so we watch Don Bluth’s mega-flop 2D-3D hybrid space animation. In our defense, it has a gender-fluid lead, a bunch of crazy people together believing this person to be someone they aren’t and a prologue with childhood trauma, so it’s basically the same film as Titane, ok?

258 - DISNEY'S ROBIN HOOD

Second go around with the legend of Robin Hood and this time it’s Disney’s crime to answer for, stealing from The Jungle Book to give to the poor, animation-wise. We take a dive into the formation of furries, and other cultures over the recent generations, discuss who could voice the live action-ish redux, and if Robin Hood is capable of being a cinematic adventure at any point.

223 - SOUL

The new Pixar pic brings the joys of death, existential dread and meaninglessness to children! Johnny has waited to watch this for the podcast, but Andrew has taken a trip through the soul already, what will be the end result, and will anything matter after all of this? Happy 2021!

200 - HAMILTON - AN AMERICAN MUSICAL

It’s episode 200, 200! And since we cannot celebrate in person with friends, Johnny and Andrew bring folk in to talk Hamilton and their lockdown fun. Set in for a lot of Cats conversations with Al Pacino expert Mark Searby, VoDZilla editor Ivan Radford, filmmaker Bradley Porter, Empire Podcast and Magazine’s Chris Hewitt, Variety’s Jazz Tangcay, Movies On Weekends’ Sarah Cook, Film journalist Nathanael Smith, Forbes and E!’s Simon Thompson, Comedian and film aficionado Richard Sandling, Activist and Host Sarah O’Connell and super-duper film fans Jan Thomas and Dave Thomas.


So settle in for a super expressive celebration of joy, love and the power of community, in the time when we are most alone. 200 Episodes in, this is our shot, we’re not throwing it away.

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194 - ARTEMIS FOWL

It’s hard to find something new in this weird dead world, but Disney+ bring a film intended for August 2019 straight to streaming a year later, and Andrew and Johnny see it as reason enough to give it a go. Stay for Johnny’s Irish roots which makes Andrew’s Irish accent even MORE offensive, in these trying times.

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BONUS - 101 DALMATIANS 1996 COMMENTARY

Andrew’s 30th birthday celebrations are isolated to watching films with friends, and Johnny’s plan to surround Andrew with many furry ones has succumbed instead to popping on Disney+ and watching the Glenn Close live-action comedy. Andrew hasn’t seen the film, has no connection to the work, it is not a meaningful choice by any stretch, but come watch the film with Andrew and Johnny. Fun, games, furs and frivolities included.

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BONUS - ISOLATION TEST - DISNEY+ TALK

As Covid-19 has put us all in self-isolation, the usual episode feeling of being together, feeding off one-another’s energy is out the window. Testing out online recording for future use, Andrew and Johnny talk Better Call Saul (SPOILERS), Disney+, hint at next week’s episode and Johnny Cash of course comes up once again.

182 - MARGARET

Sitting on the shelf after a long time, we release an episode on Kenneth Lonergan’s much-delayed epic human drama, where Johnny has some sort of comprehensive understanding of humanity and the universe, and Andrew reminisces on the single-screen opening day in London.

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