Jeremy is joined by audio scriptwriter Paul Morris for a study of 1968 suspense thriller Targets, co-written and directed by Peter Bogdanovich and starring Boris Karloff in one of his final roles. Their discussion covers such topics as low-budget postmodernism, colour cues, editing as storytelling and PG Wodehouse.
Featured below is the video mentioned in the podcast that breaks down the editing in a single scene of Bohemian Rhapsody.
Together with Orson Welles' Citizen Kane and John Singleton's Boyz 'n the Hood, director Peter Bogdanovich's Targets is among the most impressive first features ever made.
Use my link http://www.audible.com/thomasflight or text THOMASFLIGHT to 500-500 to get a free Audiobook, two Audible Originals, and a 30-day free trial. John Ottman. Editor of Bohemian Rhapsody Responds: https://www.youtube.com/watch?v=qy35ZJcxIg8 Bohemian Rhapsody won the Oscar for Best Editing... but it has terrible editing.